![]() Maybe they simply turn the music off and listen to their favorite podcast. Maybe reviewers don’t feel comfortable speaking about music because they lack the expertise and/or vocabulary. You will get zero results 9 out of 10 times. ![]() That’s not an exaggeration, you can try your favorite game publication and ctrl+f “music”, “sound” or “soundtrack” on any random review. But they almost never include a single sentence about music and sound. Reviews spend pages on gameplay, game mechanics, graphics, story and they should because they are important. Unfortunately game reviewers treat music and sound as something that exists out of some sort of immaculate conception. I wish it was true, because then they would at least have an excuse. I’ve jokingly tweeted once that 95% of game reviewers are born without ears. Why in the video games reviews music is mentioned so rarely? My compositions are, more often than not, structured like a film. I have written for small ensembles, orchestral, electronic, heavy metal and the common thing is that with each piece I try to tell a story. My compositions are, more often than not, structured like a film: Act I, in which you meet the characters and get some exposition Act II, where something goes wrong, Act III, the big action set-piece Epilogue, where we get to reminisce over past events. Verse, chorus, verse, bridge, chorus that’s a song. ![]() The majority of people use the word song for every music piece but song is a form. It’s not a musical term per se, but I feel the most recognizable aspect of my compositions is form. If I had to choose one word I’d say narrative. I would probably not be able to keep doing it, at least not full time, if it wasn’t for Risk of Rain. Much more importantly though, it allowed me to make a living from writing music by broadening my fan base to the point where album sales and streaming provided a decent income. It was quite literally a game changer! One aspect of it was that it gave me some (very slight) recognition in the industry which made it easier to find more work. How the success Risk of Rain influenced on your music career? Chris Christodoulou during the discussion with me described how he was inspired by bands Dream Theater and Daft Punk, moreover he told me about some secrets related with the producing music to video games. Magistrate Judge for the Southern District of New York.After the premiere (first run) of “Risk of Rain” his music for this game gain great (tremendous) popularity on the Bandcamp platform, and the vinyl edition won a huge fan base. Chris began his legal career as a law clerk to the Honorable Gabriel W. Chris also provided advice to city agencies to ensure compliance with collective bargaining agreements as well as federal, state, and local employment laws. In that role, Chris represented the City of New York, its agencies, and its employees in state and federal employment actions, as well as administrative proceedings before the New York State Division of Human Rights. Previously, he served as an Assistant Corporation Counsel in the Labor and Employment Law Division of the New York City Law Department. In addition, he drafts and negotiates agreements concerning employment, severance, confidentiality, and restrictive covenants.īefore joining Epstein Becker Green, Chris was an employment law attorney at a national law firm. He represents employers in a wide variety of disputes, including those arising under Title VII of the Civil Rights Act of 1964, the Family and Medical Leave Act, the Americans with Disabilities Act, the Age Discrimination in Employment Act, the Fair Labor Standards Act, the New York Labor Law, and the New York State and City Human Rights Laws.Īlso a trusted advisor, Chris provides advice and counsel to clients on compliance with federal, state, and local employment laws. ![]() Employers worried about employment-related litigation trust attorney Chris Coyne with their legal needs.Ĭhris is an experienced litigator who handles complex employment matters in federal and state courts, and before government agencies, as well as private arbitrations. ![]()
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